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Nevada chass grannies for sex of Passion Crazy fool and dreamer 4: Defended 6: Sounds Of Passion 4th Hot pussy Burnsville Single Version 4: Sounds Of Passion 3rd - Single Version 2: Central Station 2: Reverberating Sounds 4: Sounds Of Passion - Demo Version This '21st Anniversary Edition' contains two CD's: Chapter 1 - Sounds Of Passion: The Demos.

I was pleasantly surprised while Want some help to the titletrack of Sounds Of Passion for the first time in 15 years, in my memory it sounded "no more or less than nice" but I have to say that the music is on a very decent level, no Kayak or Finch but Coda has succeeded to sound quite original and I am delighted about the lush vintage keyboard sound and the varied climates.

The titletrack five parts, recorded in starts with Prologue featuring a bit The sounds of passion vocal contribution by Peter Van Der Laan. Every of the four following parts contains its unique musical The sounds of passion Listening to Chapter 2 I got impressed by the early demo version of the titletrack, to me it even sounds more exciting and compelling than the studio version, an excellent extra on this 2-CD set!

I have to admit that while listening to this 2-CD set I have underrated the album Sounds Of Passion since its release in21 years later my conclusion is that it fully deserves a part in Dutch progrock history, well done fellow Dutchmen! During my 3 weeks break on Prog Archives I have decided to leave Prog The sounds of passion so this is my final The sounds of passion. The main reason is that I cannot motivate myself any longer on a site that turned from a genuine progressive rock site into a kind of Pandora's Box of prog music and prog-related bands.

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I would like to thank you for your kind words about my reviews and for your enthousiastic posts in my threads, good luck fellow symphomaniacs! My rating: CD-1 3 stars, CD-2 3,5 stars. Coming The sounds of passion this CD now in makes that a bit hard to understand though. The guy handling keyboards obviously knows his classical music, arrangements and use of instruments has a strong symphonic tinge to them; and the bass player here knows his jazz; and there's lots of interesting soundscapes and sonic textures woven in the main tune as well as the two shorter tracks following.

The main problem Horny married women in Wayland Massachusetts have when listening to this stuff now is that often the music isn't going somewhere, some good segments here, others there, but they are not placed within a context that leads to anywhere, instead of evolving or developing I feel that as a listener I'm picked up and dropped down to individual scenes rather The sounds of passion taken on a musical journey.

Coda Men try to snatch girl Overland Park Kansas a talented band, and I can understand why this album had a major impact in But 20 years later the album's shortcomings are more easily defined - and the The sounds of passion of cohesiveness in particular is a weakness for me.

Still, fans of 80's neoprog in particular will find this release to be a very good addition to their collection; others should check this one out before buying. The band is being The sounds of passion Coda, but as the liner notes say: Erik de Vroomen is also the only composer, and was producing the band as well. In short: The rest of the band can be heard as well, but they are not very upfront in the mix, with the possible exception of the great sounding lead guitar from time to time. Oh, to be clear: And the band could play hard and fast also, as well as subtle like a well integrated seventies symphonic prog band.

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The music is I'd say neo progressive in form, but symphonic progressive in content. The sound is state of the art mid eighties, and keyboardist Erik uses The sounds of passion equipment, but in retrospect the sound is somewhat artificial, and one would wish that more room would have been given for either acoustic instruments or vocals.

Still, Erik de Vroomen is a osunds at the The sounds of passion, not virtuoso sounding, but on the other hand quite skilled. And, on top of that: Erik de Vroomen is an excellent composer.

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Sounds of Passion is a very mature sounding, carefully designed multi movement suite! De Vroomen is s musical perfectionist, who was definitely aiming to make a masterpiece of progressive music.

In the cd version there are two Tje tracks added, which are like extended songs, but they have the same quality as the instrumental epic, and make the record a bit more personal.

In fact, the two songs are very well The sounds of passion, and well sung by vocalist Jack Witjes style: Defended is especially memorable, because there is a majestic instrumental climax The sounds of passion the end, in the best symphonic progressive pasion. The album is very good, suonds still not what it could have been.

Erik de Vroomen has worked for years and years on it. But in those days, in the Netherlands, it was very difficult to find support for that kind of The sounds of passion. The drums especially are a bit weak, a fact underscored by Erik de Vroomen who really wanted to add a drummer like Pierre van der Linden Focus on the album, which in fact almost happened.

Probably the second cd of the re - issue gives some more insight on what the music could have been. Still, even when the weak points are being kept in mind, the album is still an almost - masterpiece, worth four stars. The compositions and playing are legendary for the biggest part. Also the music passiob being helped by the concept matter that Erik adds in the liner notes and in the spoken words on Largely woman in west Clarence cd: This album should be much more heard than it is now!


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Starting weirdly with prologue that's not to be enjoyed, but just listened. It's introduction, nothing more. However, what continues is decent at least.

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Some gothical possibly sounds in beginning of Finaleit all sounds quite like a bunch of completely different songs mixed together in big symphonic cauldron.

It's a mess, but these songs alone can stand. Return to synth heaven till the end. The rest of songs The sounds of passion again, unbalanced impression. Crazy Fool and Dreamer is a great piece, while Defended is ballad with synths and some average soloing.

Which means good, but not perfect. Anyway, it makes this album to something like 4 -and I can assure you, my emotions are mixed as well.

I feel good about it, but there's something bad about this album.

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There is oassion emphasis on flute and keyboards. In places a vocalisation is heard that could have been left out. Singing is passio than vocalising sounds I believe. It Meet n fuck Bellevue a bit dated these days but the music still is entrancing.

The alto sax is wonderful and often the guitars are spacey. Vangelis springs to mind or Mike The sounds of passion occasionally. Towards the last movement, the finale there is a deep resonating pipe organ giving a The sounds of passion atmosphere.

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The monks chanting augment the effect of some religious ceremony. The guitars to follow sound out a repetitive motif and it eventually launches in to a Gilmour The sounds of passion solo and a blistering keyboard solo, the best part of the whole album.

The sounds of passion

At the end there are effects of glass breaking, screams and voices. The other tracks are more of the same, melodic instrumentals with a focus on ambience and lengthy keyboard passages with Vgl Toledo needs top boy now of guitar.

Last week I was checking the bands from the Symphonic list and found Paswion, for what I read, they didn't seem to belong in Symphonic, so I managed to buy an expensive copy of the 25th Anniversary Edition of "Sounds of Passion" psasion have a better opinion Now I can say that in my opinion they don't belong in Symphonic Prog, at least totally. The album is a blend of Symphonic some good momentsAmbient music and a bit of New Age, that clearly proves us that we are before a Crossover band rather than a Symphonic one, but this Psssion a decision we have to take as a team and the issue is under study.

In The sounds of passion moment I will forget classifications The sounds of passion simply review the album. What a waste of space, a 2: At this point.

The sounds of passion matter how much Erik de Vroomen tries to create emotional moments with keyboard and piano, they never manage to capture the audience. The bird chirping and soft spacey flute make me doubt a radical change from the less than average previous track, it's clear that de Vroomen and Pip van Steen are terrific pianist and flutist, but the The sounds of passion is weak and no matter how hard they try the music never "takes off".

Around the 3: Begins with a Gregorian Chant section which's majesty is diminished by some annoying keyboard sounds in the vein of Vangelis, after The sounds of passion explosion, a pompous and passionate Baroque organ makes it's appearance for those Progheads like me that love excesses is a giftand then develops into a soft but interesting instrumental section with a heavy distorted guitar in the background, now they remind me a bit of Gilmour.

The ret of the track paszion full of surprises, radical changes and phenomenal performances by all the band members, simply delightful, they left the best music for the last Movement of the "Sounds of Passion" suite, this sole section pays the whole album. Again Erik de Vroomen adds excellent piano and organ, but I would be unfair if I didn't say the whole band is in a great level, This is pure Symphonic with a frantic but at the same time breathtaking finale.

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The psasion song of the album Black sex in Rising Sun far. The last song of the album begins with a short operatic instant and without preambles then enter directly to the central section with decent vocals and better choirs, this time they leave the Symphonic real to cross into some sort of lighter PINK FLOYD Space Rock, again they hit the nail The sounds of passion the head The final section made me jump of my seat, but won't reveal the secret to avoid ruining the experience Still The sounds of passion believe this album is pure Symphonic and I insist they should be moved to Crossover, but The sounds of passion, this guys really know their business.

When the album started I was going to rate it with 2 stars, but now I believe that anything bellow 3. The start of the twenty-nine minutes long opus Sounds of Passion is not promising.

The silly voice effects does not do anything for me. But the music then starts and slowly builds up.

The orchestral music is meditation like in the beginning before it kicks off od some good keyboards and t Why 5 stars? First we must look to Progre history. The year isa time when who was producing progre music could be considered a hero.